Studying media entertainment content and its impact on audience is one of the biggest challenges that media psychologists face in 21-st century. The Affective Disposition Theory explains the impact that film characters can have on the audience, and is based on the premise that our affective dispositions depend on our assessment of the morality of the observed character. In the last decade, there has been a growing emergence of antiheroes in movies - characters with questionable and complex morality, who possess the traits of both heroes and villains. To enjoy antihero narratives, individuals often resort to the process of moral disengagement - a set of cognitive strategies used to justify immoral behaviours - that occurs when a person favours an antihero whose behaviour is morally questionable. The aim of this study was to examine the relationship between perceived antihero morality, moral disengagement, identification with antihero, and general antihero liking and film enjoyment based on three movies: The Godfather, Léon: The Professional and Taxi Driver. The study included 262 participants, mainly from Croatia, Serbia, and Bosnia and Herzegovina. Results showed that identification with an antihero is the strongest predictor of antihero liking and enjoyment in all three conditions, with perceived morality proving to be a statistically significant positive predictor of liking Michael Corleone. The findings also indicate that moral disengagement proved to be a statistically significant positive predictor of liking the antihero Taxi Driver, but also a statistically significant negative predictor of enjoyment in its film – Taxi Driver. This is the first research that dealt with the topic of antiheroes in movies and morality in Croatia and neighboring countries.