The thesis is a research on the aestheticization of everyday housing from the perspective of young people who live in the area of the city of Zagreb. The paper begins by explaining the contemporary structure of housing through the phenomenon of aestheticization of everydayness. Within the theoretical framework, the concept of lifestyle is emphasized through the theory of cultural capital according to Bourdieu (2011) and his paradigm of distinction, as well as the concept of interpretation of Baudrillard’s (2013) system of signs and Lefebvre’s (1987) theory of the production of space as an aesthetic dimension of everydayness. Considering the postmodernist paradigm of erasing the border between art and everyday life, housing and habitation have also become aestheticized and reflect social changes as a peculiar phenomenon. The general research goal is to understand the sociological aspect of the aestheticization of home space and the cultural capital of young people as a postmodern paradigm based on everyday living practices. The research was carried out through qualitative methodology, using a semistructured interview method with a total of seven participants who live in the Zagreb area and also using the documentary visual method by photographing objects inside the participant’s homes. The results show that young people in the area of Zagreb create their own identity according to the space of their homes and use aestheticization in their daily practices in accordance with their cultural capital. It was confirmed that the aesthetics of the home is not only a visual element, but a tool used to shape everyday activities, creating a feeling of belonging and stability through personal values and objects that connect people with their space and identity. A new dimension of understanding everyday housing and aestheticization has been revealed, thereby expanding the definition of home as a means of perceiving identity.